Flume albums4/1/2024 ![]() ‘Go’ is a highlight of the latter half of the track list, reminiscent of previous Flume releases with a simple and fluid style that helps begin the descent into what is the strong finale for the album.įinal track ‘Palaces’ features Damon Albarn, those with a keen eye will eagerly await his addition as you run through a first listen. ‘Only Fans’ uses erratic layering that combines harsh, sharp noises with disjointed lyricism, prompting overstimulation and oozing experimentation. ![]() It’s skipping piano rolling across the runtime like pastures green in the distance. One of the songs most prominently infused with nature – production accentuating a buzz as if insects surround you. ‘Jasper’s Song’ is the delicate follow up that sounds like the track is skipping or the record has been warped, adding a physicality to the experience. ‘Get U’ manages to capture vibrating basslines and whistling high frequencies that mimic proximity to a speaker, eventually blossoming into a light, yet grandiose layering of sounds that are euphoric. The middle of the album is perhaps the strongest portion, as Streten begins to push his own limits by incorporating expansive abstract elements. Immediate stylistic whiplash presents intrigue for what is yet to come. This is followed quickly by ‘Say Nothing’ which breathes a little life into the project thanks to vocals from MAY-A, lifting the dark, understated production above the clouds in this dreamy track. Opening with the lyrically sparse ‘Highest Building’, it combines elements of hyper pop with glitchy synths that ultimately lack a little punch. Whilst the track list is a little bloated and repetitive in places, there are some moments of true genius that will surely stand out amongst the rest of his discography. The album weaves together an amalgamation of edgy pop vocals, bold synthesisers, and impressive features. Streten cited rural life being the driving force behind the development of the album as it draws on influences from his move back to rural Australia, after he was prompted to depart Los Angeles during the pandemic. He is set to release ‘Palaces’ Friday 20th May 2022, which is his first full length LP since 2019. ![]() His conscious experimentation has littered his discography with a unique sound that is instantly recognisable amongst listeners. As he told Apple Music about his choice of collaborators, “I want to find people who are doing something different and open to working with different sounds and unconventional beats-just open-minded people who have something to say.Latest Flume album ‘Palaces’ builds an expansive sonic kingdom fit for a king.Īn abstract and consistent artist within the electronic music space, Flume (Harley Streten) has never failed to deliver the unexpected. Wherever electronic music is right now, you can be sure that whatever Flume is cooking up in his studio is two steps ahead. On the 2019 mixtape Hi This Is Flume, he dusted off his most experimental beats yet while linking up with slowthai, SOPHIE and JPEGMAFIA. ![]() His twisted trap drums and spacious atmospheres proved the perfect foil for vocalists like Vic Mensa, Tove Lo and Little Dragon, leading to production work for Lorde and Vince Staples. With 2016’s Skin, he showed his growth with trickier beats and more innovative sound-sculpting, without forgetting about the importance of a perfect hook (exhibit A: “Never Be Like You”, with a swoon-worthy topline from the Toronto singer kai). Those head-nodding beats and hazy effects quickly became staples on chill playlists, but Flume was already lining up his next wave. The sedate vibe was the flip side of EDM’s peak-time energy, but his slippery synths and ribbon-like vocal edits showed kinship with dubstep a sound many would soon call “future bass” was born. The following year, his self-titled debut album established the outline of his nascent sound, pairing spring-loaded drum programming with dreamily chopped-up samples. A decade later, the deliriously laidback vibe of his debut single, “Sleepless”, got him signed to Australia’s Future Classic. In a way, it did crack a code: To see music’s inner workings laid bare came as a revelation to young Streten. The free gift wasn’t a secret decoder ring, but a CD with rudimentary production software. Streten got his start making music when he was 10 or 11, when his dad bought him a box of cereal. In the process, he helped pioneer a whole new dimension of chill. In the early 2010s, just as main-stage EDM was pushing tempos and decibels into the red, Flume-aka Harley Streten, born in 1991-went in the opposite direction, delving into hip-hop beats and airy synths. When he was just 20 years old, Sydney producer Flume leveraged his easygoing surfer attitude into single-handedly changing the course of electronic music’s evolution.
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